a study of bible-第26部分

快捷操作: 按键盘上方向键 ← 或 → 可快速上下翻页 按键盘上的 Enter 键可回到本书目录页 按键盘上方向键 ↑ 可回到本页顶部! 如果本书没有阅读完，想下次继续接着阅读，可使用上方 "收藏到我的浏览器" 功能 和 "加入书签" 功能！


The　Bishop　of　St。　Andrews　even　devotes　the　first　part　of　his　book　on　Shakespeare　and　the　Bible　to　a　study　of　parallels　between　the　two　in　peculiar　forms　of　speech；　and　thinks　it　〃probable　that　our　translators　of　1611　owed　as　much　to　Shakespeare　as；　or　rather　far　more　than；　he　owed　to　them。〃＇1＇　It　is　generally　agreed　that　only　two　of　his　works　were　written　after　our　version　appeared。　Several　other　writers　have　devoted　separate　volumes　to　noting　the　frequent　use　by　Shakespeare　of　Biblical　phrases　and　allusions　and　characters　taken　from　early　versions。　It　is　a　very　tempting　field；　and　we　pass　it　by　only　because　it　is　hardly　in　the　range　of　the　study　we　are　now　making。


＇1＇　Wordsworth；　Shakespeare's　Knowledge　and　Use　of　the　Bible；　p。　9。


When；　however；　we　come　to　John　Milton　（1608…1674）；　we　remember　he　was　only　three　years　old　when　our　version　was　issued；　that　when　at　fifteen；　an　undergraduate　in　Cambridge；　he　made　his　first　paraphrases；　casting　two　of　the　Psalms　into　meter；　the　version　he　used　was　this　familiar　one。　A　biographer　says　he　began　the　day　always　with　the　reading　of　Scripture　and　kept　his　memory　deeply　charged　with　its　phrases。　In　later　life　the　morning　chapter　was　generally　from　the　Hebrew；　and　was　followed　by　an　hour　of　silence　for　meditation；　an　exercise　whose　influence　no　man's　style　could　escape。　As　a　writer　he　moved　steadily　toward　the　Scripture　and　the　religious　teaching　which　it　brought　his　age。　His　earlier　writing　is　a　group　of　poems　largely　secular；　which　yet　show　in　phrases　and　expressions　much　of　the　influence　of　his　boyhood　study　of　the　Bible；　as　well　as　the　familiar　use　of　mythology。　The　memorial　poem　〃Lycidas；〃　for　example；　contains　the　much…quoted　reference　to　Peter　and　his　two　keys

　〃Last　came　and　last　did　go　　The　pilot　of　the　Galilean　lake；　　Two　massy　keys　he　bore　of　metals　twain；　　（The　golden　opes；　the　iron　shuts　amain）。〃


But　after　these　poems　came　the　period　of　his　prose；　the　work　which　he　supposed　was　the　abiding　work　of　his　life。　George　William　Curtis　told　a　friend　that　our　civil　war　changed　his　own　literary　style：　〃That　roused　me　to　see　that　I　had　no　right　to　spend　my　life　in　literary　leisure。　I　felt　that　I　must　throw　myself　into　the　struggle　for　freedom　and　the　Union。　I　began　to　lecture　and　to　write。　The　style　took　care　of　itself。　But　I　fancy　it　is　more　solid　than　it　was　thirty　years　ago。〃　That　is　what　happened　to　Milton　when　the　protectorate　came。＇1＇　It　made　his　style　more　solid。　He　did　not　mean　to　live　as　a　poet。　He　felt　that　his　best　energies　were　being　put　into　his　essays　in　defense　of　liberty；　on　the　freedom　of　the　press　and　on　the　justice　of　the　beheading　of　Charles；　in　which　service　he　sacrificed　his　sight。　All　of　it　is　shot　through　with　Scripture　quotations　and　arguments；　and　some　of　it；　at　least；　is　in　the　very　spirit　of　Scripture。　The　plea　for　larger　freedom　of　divorce　issued　plainly　from　his　own　bitter　experience；　but　his　main　argument　roots　in　a　few　Bible　texts　taken　out　of　their　connection　and　urged　with　no　shadow　of　question　of　their　authority。　Indeed；　when　he　comes　to　his　more　religious　essays；　his　heavy　argument　is　that　there　should　be　no　religion　permitted　in　England　which　is　not　drawn　directly　from　the　Bible；　which；　therefore；　he　urges　must　be　common　property　for　all　the　people。　There　is　a　curious　bit　of　evidence　that　the　men　of　his　own　time　did　not　realize　his　power　as　a　poet。　In　Pierre　Bayle's　critical　survey　of　the　literature　of　the　time；　he　calls　Milton　〃the　famous　apologist　for　the　execution　of　Charles　I。；〃　who　〃meddled　in　poetry　and　several　of　whose　poems　saw　the　light　during　his　life　or　after　his　death！〃　For　all　that；　Milton　was　only　working　on　toward　his　real　power；　and　his　power　was　to　be　shown　in　his　service　to　religion。　His　three　great　poems；　in　the　order　of　their　value；　are；　of　course；　〃Paradise　Lost；〃　〃Samson　Agonistes；〃　and　〃Paradise　Regained。〃　Whoever　knows　anything　of　Milton　knows　these　three　and　knows　they　are　Scriptural　from　first　to　last　in　phrase；　in　allusion；　and；　in　part　at　least；　in　idea。　There　is　not　time　for　extended　illustration。　One　instance　may　stand　for　all；　which　shall　illustrate　how　Milton's　mind　was　like　a　garden　where　the　seeds　of　Scripture　came　to　flower　and　fruit。　He　will　take　one　phrase　from　the　Bible　and　let　it　grow　to　a　page　in　〃Paradise　Lost。〃　Here　is　an　illustration　which　comes　readily　to　hand。　In　the　Genesis　it　is　said　that　〃the　spirit　of　God　moved　on　the　face　of　the　waters。〃　The　verb　suggests　the　idea　of　brooding。　There　is　only　one　other　possible　reference　（Psalm　xxiv：　9。）　which　is　included　in　this　statement　which　Milton　makes　out　of　that　brief　word　in　the　Genesis：

　　　　　　　　　　　　　　　〃On　the　watery　calm　　His　broadening　wings　the　Spirit　of　God　outspread；　　And　vital　virtue　infused；　and　vital　warmth　　Throughout　the　fluid　mass；　but　downward　purged　　The　black　tartareous　cold　infernal　dregs；　　Adverse　to　life；　then　formed；　then　con…globed；　　Like　things　to　like；　the　rest　to　several　place　　Disparted；　and　between　spun　out　the　air　　And　earth　self…balanced　on　her　center　swung。〃


＇1＇　Strong；　The　Theology　of　the　Poets。


Any　one　familiar　with　Milton　will　recognize　that　as　a　typical　instance　of　the　way　in　which　a　seed　idea　from　the　Scripture　comes　to　flower　and　fruit　in　him。　The　result　is　that　more　people　have　their　ideas　about　heaven　and　hell　from　Milton　than　from　the　Bible；　though　they　do　not　know　it。

It　seems　hardly　fair　to　use　John　Bunyan　（1628…1688）　as　an　illustration　of　the　influence　of　the　English　Bible　on　literature；　because　his　chief　work　is　composed　so　largely　in　the　language　of　Scripture。　Pilgrim's　Progress　is　the　most　widely　read　book　in　the　English　language　after　the　Bible。　Its　phrases；　its　names；　its　matter　are　either　directly　or　indirectly　taken　from　the　Bible。　It　has　given　us　a　long　list　of　phrases　which　are　part　of　our　literary　and　religious　capital。　Thackeray　took　the　motto　of　one　of　his　best…known　books　from　the　Bible；　but　the　title；　Vanity　Fair；　comes　from　Pilgrim's　Progress。　When　a　discouraged　man　says　he　is　〃in　the　slough　of　despond；〃　he　quotes　Bunyan；　and　when　a　popular　evangelist　tells　the　people　that　the　burden　of　sin　will　roll　away　if　they　look　at　the　cross；　〃according　to　the　Bible；〃　he　ought　to　say　according　to　Bunyan。　But　all　this　was　only　the　outcome　of　the　familiarity　of　Bunyan　with　the　Scripture。　It　was　almost　all　he　did　know　in　a　literary　way。　Macaulay　says　that　〃he　knew　no　language　but　the　English　as　it　was　spoken　by　the　common　people；　he　had　studied　no　great　model　of　composition；　with　the　exception　of　our　noble　translation　of　the　Bible。　But　of　that　his　knowledge　was　such　that　he　might　have　been　called　a　living　concordance。〃＇1＇


＇1＇　History　of　England；　vol。　III。；　p。　220。


After　these　threeShakespeare；　Milton；　and　Bunyanthere　appeared　another　three；　very　much　their　inferiors　and　having　much　less　influence　on　literary　history。　I　mean　Dryden；　Addison；　and　Pope。　It　is　not　necessary　to　credit　the　Scripture　with　much　of　Dryden's　spirit；　nor　with　much　of　his　style；　and　certainly　not　with　his　attitude　toward　his　fellows；　but　it　is　a　constant　surprise　in　reading　Dryden　to　discover　how　familiar　he　was　with　the　King　James　version。　Walter　Scott　insists　that　Dryden　was　at　heart　serious；　that　〃his　indeli