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a psychological counter-current in recent fiction-第4部分
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however; I must not fail of justice to the higher beauty of Mary
Fairthorne's character。 She is really a good girl; and saved
from the unreality which always threatens goodness in fiction by
those limitations of temper which I have already hinted。
V。
It is far from the ambient of any of these imaginary lives to
that of the half…caste heroine of 〃A Japanese Nightingale〃 and
the young American whom she marries in one of those marriages
which neither the Oriental nor the Occidental expects to last
till death parts them。 It is far; and all is very strange under
that remote sky; but what is true to humanity anywhere is true
everywhere; and the story of Yuki and Bigelow; as the Japanese
author tells it in very choice English; is of as palpitant
actuality as any which should treat of lovers next door。 If I
have ever read any record of young married love that was so
frank; so sweet; so pure; I do not remember it。 Yet; Yuki;
though she loves Bigelow; does not marry him because she loves
him; but because she wishes with the money he gives her to help
her brother through college in America。 When this brother comes
back to Japanhe is the touch of melodrama in the pretty
idylhe is maddened by an acquired Occidental sense of his
sister's disgrace in her marriage; and falls into a fever and
dies out of the story; which closes with the lasting happiness of
the young wife and husband。 There is enough incident; but of the
kind that is characterized and does not characterize。 The charm;
the delight; the supreme interest is in the personality of Yuki。
Her father was an Englishman who had married her mother in the
same sort of marriage she makes herself; but he is true to his
wife till he dies; and possibly something of the English
constancy which is not always so evident as in his case qualifies
the daughter's nature。 Her mother was; of course; constant; and
Yuki; though an outcast from her own peoplethe conventions seen
to be as imperative in Tokyo as in Philadelphiabecause of her
half…caste origin; is justly Japanese in what makes her
loveliest。 There is a quite indescribable freshness in the art
of this pretty noveletteit is hardly of the dimensions of a
novelwhich is like no other art except in the simplicity which
is native to the best art everywhere。 Yuki herself is of a
surpassing lovableness。 Nothing but the irresistible charm of
the American girl could; I should think keep the young men who
read Mrs。 Watana's book from going out and marrying Japanese
girls。 They are safe from this; however; for the reason
suggested; and therefore it can be safely commended at least to
young men intending fiction; as such a lesson in the art of
imitating nature as has not come under my hand for a long while。
It has its little defects; but its directness; and sincerity; and
its felicity through the sparing touch make me unwilling to note
them。 In fact; I have forgotten them。
VI。
I wish that I could at all times praise as much the literature of
an author who speaks for another colored race; not so far from us
as the Japanese; but of as much claim upon our conscience; if not
our interest。 Mr。 Chesnutt; it seems to me; has lost literary
quality in acquiring literary quantity; and though his book; 〃The
Marrow of Tradition;〃 is of the same strong material as his
earlier books; it is less simple throughout; and therefore less
excellent in manner。 At his worst; he is no worse than the
higher average of the ordinary novelist; but he ought always to
be very much better; for he began better; and he is of that race
which has; first of all; to get rid of the cakewalk; if it will
not suffer from a smile far more blighting than any frown。 He is
fighting a battle; and it is not for him to pick up the cheap
graces and poses of the jouster。 He does; indeed; cast them all
from him when he gets down to his work; and in the dramatic
climaxes and closes of his story he shortens his weapons and
deals his blows so absolutely without flourish that I have
nothing but admiration for him。 〃The Marrow of Tradition;〃 like
everything else he has written; has to do with the relations of
the blacks and whites; and in that republic of letters where all
men are free and equal he stands up for his own people with a
courage which has more justice than mercy in it。 The book is; in
fact; bitter; bitter。 There is no reason in history why it
should not be so; if wrong is to be repaid with hate; and yet it
would be better if it was not so bitter。 I am not saying that he
is so inartistic as to play the advocate; whatever his minor
foibles may be; he is an artist whom his stepbrother Americans
may well be proud of; but while he recognizes pretty well all the
facts in the case; he is too clearly of a judgment that is made
up。 One cannot blame him for that; what would one be one's self?
If the tables could once be turned; and it could be that it was
the black race which violently and lastingly triumphed in the
bloody revolution at Wilmington; North Carolina; a few years ago;
what would not we excuse to the white man who made the atrocity
the argument of his fiction?
Mr。 Chesnutt goes far back of the historic event in his novel;
and shows us the sources of the cataclysm which swept away a
legal government and perpetuated an insurrection; but he does not
paint the blacks all good; or the whites all bad。 He paints them
as slavery made them on both sides; and if in the very end he
gives the moral victory to the blacksif he suffers the daughter
of the black wife to have pity on her father's daughter by his
white wife; and while her own child lies dead from a shot fired
in the revolt; gives her husband's skill to save the life of her
sister's childit cannot be said that either his aesthetics or
ethics are false。 Those who would question either must allow; at
least; that the negroes have had the greater practice in
forgiveness; and that there are many probabilities to favor his
interpretation of the fact。 No one who reads the book can deny
that the case is presented with great power; or fail to recognize
in the writer a portent of the sort of negro equality against
which no series of hangings and burnings will finally avail。
VII。
In Mr。 Chesnutt's novel the psychologism is of that universal
implication which will distinguish itself to the observer from
the psychologism of that more personal sortthe words are not as
apt as I should likeevident in some of the interesting books
under notice here。 I have tried to say that it is none the less
a work of art for that reason; and I can praise the art of
another novel; in which the same sort of psychologism prevails;
though I must confess it a fiction of the rankest
tendenciousness。 〃Lay Down Your Arms〃 is the name of the English
version of the Baroness von Suttner's story; 〃Die Waffen Nieder;〃
which has become a watchword with the peacemakers on the
continent
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