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Zanoni



by Edward Bulwer Lytton













DEDICATORY EPISTLE

First prefixed to the Edition of 1845





TO



JOHN GIBSON; R。A。; SCULPTOR。



In looking round the wide and luminous circle of our great living

Englishmen; to select one to whom I might fitly dedicate this

work;one who; in his life as in his genius; might illustrate

the principle I have sought to convey; elevated by the ideal

which he exalts; and serenely dwelling in a glorious existence

with the images born of his imagination;in looking round for

some such man; my thoughts rested upon you。  Afar from our

turbulent cabals; from the ignoble jealousy and the sordid strife

which degrade and acerbate the ambition of Genius;in your Roman

Home; you have lived amidst all that is loveliest and least

perishable in the past; and contributed with the noblest aims;

and in the purest spirit; to the mighty heirlooms of the future。

Your youth has been devoted to toil; that your manhood may be

consecrated to fame:  a fame unsullied by one desire of gold。

You have escaped the two worst perils that beset the artist in

our time and land;the debasing tendencies of commerce; and the

angry rivalries of competition。  You have not wrought your marble

for the market;you have not been tempted; by the praises which

our vicious criticism has showered upon exaggeration and

distortion; to lower your taste to the level of the hour; you

have lived; and you have laboured; as if you had no rivals but in

the dead;no purchasers; save in judges of what is best。  In the

divine priesthood of the beautiful; you have sought only to

increase her worshippers and enrich her temples。  The pupil of

Canova; you have inherited his excellences; while you have

shunned his errors;yours his delicacy; not his affectation。

Your heart resembles him even more than your genius:  you have

the same noble enthusiasm for your sublime profession; the same

lofty freedom from envy; and the spirit that depreciates; the

same generous desire not to war with but to serve artists in your

art; aiding; strengthening; advising; elevating the timidity of

inexperience; and the vague aspirations of youth。  By the

intuition of a kindred mind; you have equalled the learning of

Winckelman; and the plastic poetry of Goethe; in the intimate

comprehension of the antique。  Each work of yours; rightly

studied; is in itself a CRITICISM; illustrating the sublime

secrets of the Grecian Art; which; without the servility of

plagiarism; you have contributed to revive amongst us; in you we

behold its three great and long…undetected principles;

simplicity; calm; and concentration。



But your admiration of the Greeks has not led you to the bigotry

of the mere antiquarian; nor made you less sensible of the

unappreciated excellence of the mighty modern; worthy to be your

countryman;though till his statue is in the streets of our

capital; we show ourselves not worthy of the glory he has shed

upon our land。  You have not suffered even your gratitude to

Canova to blind you to the superiority of Flaxman。  When we

become sensible of our title…deeds to renown in that single name;

we may look for an English public capable of real patronage to

English Art;and not till then。



I; artist in words; dedicate; then; to you; artist whose ideas

speak in marble; this well…loved work of my matured manhood。  I

love it not the less because it has been little understood and

superficially judged by the common herd:  it was not meant for

them。  I love it not the more because it has found enthusiastic

favorers amongst the Few。  My affection for my work is rooted in

the solemn and pure delight which it gave me to conceive and to

perform。  If I had graven it on the rocks of a desert; this

apparition of my own innermost mind; in its least…clouded

moments; would have been to me as dear; and this ought; I

believe; to be the sentiment with which he whose Art is born of

faith in the truth and beauty of the principles he seeks to

illustrate; should regard his work。  Your serener existence;

uniform and holy; my lot denies;if my heart covets。  But our

true nature is in our thoughts; not our deeds:  and therefore; in

bookswhich ARE his thoughtsthe author's character lies bare

to the discerning eye。  It is not in the life of cities;in the

turmoil and the crowd; it is in the still; the lonely; and more

sacred life; which for some hours; under every sun; the student

lives (his stolen retreat from the Agora to the Cave); that I

feel there is between us the bond of that secret sympathy; that

magnetic chain; which unites the everlasting brotherhood of whose

being Zanoni is the type。



E。B。L。

London; May; 1845。





INTRODUCTION。



One of the peculiarities of Bulwer was his passion for occult

studies。  They had a charm for him early in life; and he pursued

them with the earnestness which characterised his pursuit of

other studies。  He became absorbed in wizard lore; he equipped

himself with magical implements;with rods for transmitting

influence; and crystal balls in which to discern coming scenes

and persons; and communed with spiritualists and mediums。  The

fruit of these mystic studies is seen in 〃Zanoni〃 and 〃A strange

Story;〃 romances which were a labour of love to the author; and

into which he threw all the power he possessed;power re…

enforced by multifarious reading and an instinctive appreciation

of Oriental thought。  These weird stories; in which the author

has formulated his theory of magic; are of a wholly different

type from his previous fictions; and; in place of the heroes and

villains of every day life; we have beings that belong in part to

another sphere; and that deal with mysterious and occult

agencies。  Once more the old forgotten lore of the Cabala is

unfolded; the furnace of the alchemist; whose fires have been

extinct for centuries; is lighted anew; and the lamp of the

Rosicrucian re…illumined。  No other works of the author;

contradictory as have been the opinions of them; have provoked

such a diversity of criticism as these。  To some persons they

represent a temporary aberration of genius rather than any

serious thought or definite purpose; while others regard them as

surpassing in bold and original speculation; profound analysis of

character; and thrilling interest; all of the author's other

works。  The truth; we believe; lies midway between these

extremes。  It is questionable whether the introduction into a

novel of such subjects as are discussed in these romances be not

an offence against good sense and good taste; but it is as

unreasonable to deny the vigour and originality of their author's

conceptions; as to deny that the execution is imperfect; and; at

times; bungling and absurd。



It has been justly said that the present half century has

witnessed the rise and triumphs of science; the extent and

marvels of which even Bacon's fancy never conceived;

simultaneously with superstition
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